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Often the setting is something like "PCM" or "Stereo" under something like digital audio output.) (If you do that, you may have to change your TV's settings to send the audio data in a format compatible with the DAC.
If your receiver doesn't have a digital input at all, you could get a DAC and put it next to your receiver.
(Note that this a DIFFERENT PRODUCT from the one above! It goes the opposite direction.) Then run TOSLINK from that second converter to your receiver. If your receiver doesn't have (electrical) S/PDIF but only has (optical) TOSLINK, then you could get a second converter like the Monoprice Digital Coaxial (RCA) to S/PDIF (Toslink) Digital Optical Audio Converter. Plug the other RCA end into your receiver's digital audio input. Plug one RCA end into the converter (from the first step). Put those two adapters on both ends of your coax cable. Get two RCA-to-coax adapters like this: Monoprice RCA Male to F Female Adapter Get a TOSLINK to (RCA) coax converter, such as this one: Monoprice S/PDIF (Toslink) Digital Optical to Digital Coaxial (RCA) Audio ConverterĬonnect a TOSLINK (optical) cable from your TV's output to that converter's input. So the following plan MIGHT work, at least it seems plausible. S/PDIF is capable of transmitting stereo and even surround sound in Dolby Digital or DTS formats. Many receivers, especially AV receivers, have an (optical) TOSLINK and/or (electrical) S/PDIF input. With some adapters, you might be able to effectively turn your coax (RG6 or similar) cable into a very long RCA cable. There's also an electrical form of S/PDIF that normally runs over an RCA cable. Most TVs have an optical ( TOSLINK) output on them. Speaker cables are usually twin-lead (zip-cord) cables.I've never tried anything like this, but I think in principle and based on random comments from random internet forums (like this thread), you could transmit digital audio over "TV" coax (like RG6). The vast majority of audio interconnects are coax in nature, including pro-grade audio cables, exceptions being the twisted-wire and flat cable some manufacturers sell. include a semi-flexible plastic or metal protective layer, to guard against abrasion and excessive flexure), to semi-rigid that is basically bendable conduit (metal tubes), to hard coax that is like thick pipes.īTW coax describes the construction: a center conductor with cylindrical insulation layer and outer cylindrical shield layer, with perhaps an outermost insulating layer for protection. You can buy RF cables in a huge range of flexibilities from small coax that behaves like a thick floppy string, so a range of standard coax from flexible to very stiff (some cables are armored, i.e.
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I have seen cheaper cables using foil without, or very little, braid but those are not meant for day-to-day lab use.įlexibility is a function of many things, including the type, number and thickness of the shielding, type and thickness of the center conductor, type of dielectric (insulation inside), and type and thickness of the external sheath (insulation on the outside plus any additional armor).
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Since it is a noisy environment foil shielding foil shielding is common but with a full braid for reliability. The receiver measures 16.56 by 6.25 by 13.88 inches (W x H x D) and is backed by a two-year warranty on parts and labor. Outside Diameter: 102 mm basket + 130 mm ears. The rear panel options include three digital inputs (two coaxial and one optical), two component video inputs and one outputs, three composite inputs and one output, a 5.1-channel input, and a subwoofer preamp output.
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At work we have fairly standard RF cables, some with armor to withstand abuse during handling, and some gorgeous very thick yet very flexible lab standard cables that rival some audiophile cables in expense ($10k~$20k for 1 m). Our artistic design team has paid careful attention to aesthetics, as we feel they are beautiful speakers too Free Air Resonance: 113.3 Hz.
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And some less-flexible but better-shielded patch cables for the rack since they are not usually moved and (rarely) stepped upon. I have a bunch of mic and instrument cables that use thick but flexible outer layers, braided shields, foamed poly or similar flexible inner dielectric, and stranded center conductors.
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You can buy RG-59 variations in a wide variety of types having different flexibility, shielding, etc.įor cables that are frequently flexed, the foil can develop splits and tiny openings, so in those cases (which includes interconnects that are fairly frequently moved and pro audio cables used for live sound) braid (and stranded center conductors) works better for longevity (not necessarily for shielding but the good ones are 98% or better). To achieve similar shielding with braids typically requires dual wraps, two layers wrapped at right (90 degree) angles, so make the coax thicker. The Al foil provides 100% shielding, something harder to achieve with braided copper (or whatever), so that is a good thing.